For over a hundred years, this 1890s photograph has lain in a folder labeled “Unidentified” in the archives of a New England historical society. At first glance, it is an ordinary, even touching portrait: two young girls in identical mourning dresses look into the lens with cold, calm eyes. They look like close friends or sisters. But with the development of modern technology, researchers have not only attracted their faces, but also the strange objects on their chests.

These are not typical medallions or cameos of the era. Their surface is porous and grayish, and their irregular shape is disturbing. For decades, it was believed that these were roughly carved stones or “talismans.”

The turning point came when one of the researchers checked the negative number with the archives of the long-demolished Blackwood Sanitarium. It turned out that these two girls were not “friends” but regular patients of an institution known for its radical and often inhuman experiments. In the documents, they were not named – only “Object A” and “Object B”.

In 2025, a group of bioarchaeologists applied high-precision digital analysis of the materials to the image. The result was shocking: the “stones” had no mineral structure. In terms of density and calcium content, they were organic matter. Human bone. Carved in the shape of a primitive anatomical heart.

Blackwood’s medical journals described a project called “Sympathetic Resonance”. The head physician believed that if two patients wore fragments of the same biological material, their nervous systems would begin to “tune in” to each other. The pendants were not jewelry – they were “anchors” through which, according to the doctors’ plan, the girls were supposed to feel each other’s pain.

Thus, “grief therapy” forced the girls to literally wear the remains of the past on their own bodies.

Why were they dressed the same? In 19th-century psychiatric theories, it was believed that the destruction of individuality could “restart” the damaged psyche.

Modern psychologists pay attention to their faces: the almost complete absence of microexpressions, the so-called “flat affect” — a typical consequence of severe trauma or deep drug sedation. This was not a memorable portrait. It was a fixation of the state before the next stage of the experiment.

A week after the shooting, both patients were transferred to the “Permanent Isolation” wing. All their medical files were destroyed in the 1912 fire. Only this negative survived — hidden in a lead box in the doctor’s personal office.

New image enhancement methods revealed another detail: in the dark corner of the frame, a gloved hand holding a stopwatch is visible. They were not just photographed – they were observed and timed.

The absolute horror of this story is not in the mystical rumors. But the fact that real people became victims of pseudoscience, which tried to control the human soul through the body.

Today, the original photograph is kept in a private collection in dim light. It is a silent monument to an era when the line between doctor and executioner was thinner than a silver chain with a bone pendant.

Now, knowing what these “jewelry” are made of, what do you see in the photo – two girlfriends … or two halves of a broken whole?